"Genesis" was a...terrible company-wide crossover from DC Comics in 1997 where it was decided that superpowers were formed by a passing space current called the Godwave. On the first pass, the Godwave created the various gods on the planets, on the second pass it created superhumans and this series focused on what would happen if the Godwave passed through a third time. It was apparently the Godwave that caused Superman's powers to become energy-based and the series made it possible to change some heroes' powers.
The mini-series was criticized for not really changing any of the characters or the continuity and has pretty much been ignored since. I feel one comic actually stood out from the lackluster crowd. And that is Robin #46. I saw the cover in the comic book store and thought it looked interesting. It's one of my favorite covers and it's not a bad story either.
Dark At Dawn
Originally published in Robin #46 (Oct 1997)
Written by Chuck Dixon
Penciled by Cully Hamner
Inked by Sal Buscema
Lettered by Tim Harkins
Colored by Adrienne Roy
All characters and stories (C)1997 DC Comics. All rights reserved.
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Showing posts with label Thursday Comics. Show all posts
Showing posts with label Thursday Comics. Show all posts
Thursday, December 01, 2011
Thursday, November 24, 2011
Best Apocalypse Ever
This is a reprint of A Review of the Best Apocalypse Ever that was published May 20, 2011 and was essentially a review of The Underfold's (a webcomic at theunderfold.com) first collection Best Apocalypse Ever. Thursday Comics will return next week with new material.
The Underfold, which sounds like some sort of skin flap located around the perineum, had it's humble beginnings as drawings on index cards at a church in 2008 and since then it is becoming a web comic known around the world. Best Apocalypse Ever is a collection of Underfold strips showcasing early strips and the Zombie Apocalypse of 2010. One of the more interesting things about collections like this is the evolution of the strip. Admit it, it is interesting to see how Calvin and Hobbes evolved from more cartoon-y drawings into a beautifully watercolored work of art of its later years or how Charlie Brown transformed from a wide eyed kid with a big head to a slightly chubby boy and into the version we know now.
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It's not quite Calvin and Hobbes but you can hardly tell the difference. |
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I'm hoping this is a homage to Knightfall. |
The relationship between Brian and JB remind me of the relationship between me and my best friend. We get along good but it's kind of a hassle to be each others friend and there is a slight possibility that we hate each other and talk bad about each other behind each others backs. A prime example is when JB is talking with Fred and Fred asks how JB can stand Brian because "he just keeps talking and talking [...] It's horrible!" which is a phrase I'm sure I've used explaining my friend to my wife. And we all know the best thing about books, movies and TV shows is when we see a little bit of ourselves in the characters.
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The introduction of Fred. |
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Eye breaks the fourth wall. |
The four-panel strips are my favorite. I am a sucker for standard comic strip joke-a-day formats. It harkens back to a bygone era where four-panel newspaper comic strips were actually funny and not the watered down dreck currently permeating people's retinas. The Zombie Apocalypse comes and goes, we got an homage to the Terminator series of movies and then a murderous robot assassin attempts to kill Baby Jesus which is something I wrote about several years ago. So it's clear that at some point in 1993, Brian Russell rifled through my trash and stole my idea. My attorney, Lionel Hutz, is looking into it.
The art is simplistic but it is better than anything that I could do. Each character is drawn uniquely and are more than expressive enough. Even JB and he has a bag over his head. The character to really grab my attention was, of course, Eye. Eye, who is an eye with arms and legs, always speaks in the third person, replacing word like "I'm" and "I'll" with "Eye'm" and "Eye'll". It makes perfect sense if you don't think about it too long which is the way to really understand The Underfold. Brian says in the book that he is bad at endings and wrapping things up but if you don't think about it then everything makes perfect sense.
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Sadistic Bag Puppet sounds like another web comic. |
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They are. |
Eye thought not.
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I wonder this myself. |
Thursday, November 17, 2011
Doomsday!
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An ad for the Death of Superman |
The story was simple. A monster erupts from below the Earth's crust somewhere in Ohio and begins a trail of senseless destruction, killing birds, snapping the necks of deer and overturning semis until he is met by the Justice League--not the good JLA, the one comprised of C-Listers. The monster, named Doomsday by Booster Gold, easily disassembles the JLA and only Superman still stands. Superman and Doomsday battle halfway across the country until they wind up in Metropolis. The seven-part storyline is essentially just a slugfest (which is what I mainly see complaints about) so it's pretty easy to follow and the editors do a good job adding footnotes to the comics when things from previous issues show up like the Underworld and the Tree City so new readers are not completely lost.
Superman would come back, of course, but not until after an 8-part funeral which showed Supergirl trying to fill the void, an out of control funeral, Metropolis flooding and Jonathan Kent having a heart attack plus a 20-part Reign of the Superman where four Supermen supposedly returned from the dead.
Doomsday!
Originally published in Superman #75 (Jan 1993)
Written and penciled by Dan Jurgens
Inked by Brett Breeding
Lettered by John Costanza
Colored by Glenn Whitmore
Superman created by Jerry Siegel and Joe Shuster
All characters and stories (C)1993 DC Comics. All rights reserved.
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One of my favorite pieces of art. From Wizard Superman Tribute (Apr 1993). Art by Dan Jurgens, Brett Breeding and Mike McNabb. |
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