Showing posts with label Comic Comics. Show all posts
Showing posts with label Comic Comics. Show all posts

Tuesday, October 31, 2017

Comic Comics #218: Horror From the Tomb


Horror From the Tomb was published with a September 1954 cover date by Premier Magazines. It clearly used it's most outrageous and anti-Wertham stories in this issue. Starting with issue 2, it would be retitled Mysterious Stories and would feature less blood and gore and with issue 3, it would code-approved and lean more toward odd stories and comedic horror parodies. Click to enlarge the pages.

The Werewolf of the Alps
by George Woodbridge and Angelo Torres






Is it just me or does this ending feel like a cop-out? A werelion? Really? Also, none of these people are dressed like they are going mountain climbing. I love how the werewolf is shaking his fist in the last panel. "Curse you, irony! Curse you! I...die..."

Revenge from the Grave

It's amazing how easy it is to break out of a grave in stories. Does becoming undead make you stronger? You are in a pretty well made wooden box six feet underground. I don't even understand how it works nowadays considering dead people are now put in a concrete vault in many places.

If you notice, what we are led to believe is a good guy, is really a bad guy. The corpse hates Roger because he's too honest and he died of HAPPINESS!?! Roger Barton was clearly too pure for this world.

Absent-Minded Professor
by Cal Massey and Jack Abel






Let's be honest, haven't we all dated a gelatinous blob held together by fake body parts at some point in our lives?

Wait. Did the professor strangle the dog or break its neck? Either way, he killed it. "You better look away"? I don't know of any woman these days who would be okay with a guy killing a dog while on a date no matter how dangerous it seemed.

The Bone Man
by Mannie Banks






And this is why you don't make people who work in a museum upset. They will kill you and somehow display you in the museum.

One this I love about this story is that there is an ad right after it for a rosary with beads filled with water from the fountain in Lourdes. You finish reading a story where a guy kills half a dozen people and melts the skin off their bones and then you can get yourself a rosary for five bucks. Perfect!

Off With the Head

Speaking of how easy it is to dig your way out of a coffin six feet underground, heads just pop off willy-nilly don't they? Just apply a little pressure and *POP* head comes off.

You Can't Keep a Good King Down
by George Woodbridge and Angelo Torres





For some reason, this reminds of the episode of Bob's Burgers where the kids explore the abandoned taffy factory and find men made of taffy that were made to protect the taffy owner's money from the government.
The skeletal remains also remind me of one of the bosses in the Nintendo game "Ikari Warriors."

Saturday, August 26, 2017

Comic Comics #217: I Was a Child Bride


Harvey Comics is best known as the publisher of kid-friendly fare such as Casper the Friendly Ghost, Hot Stuff, Richie Rich, and Littles Audrey, Dot, and Lotta. But for some reason they also published the obligatory romance comics like everyone else in the late 40s and 1950s. One such title was Teen-Age Brides which focused on young teens falling in love and getting married. Sounds like a great idea. Teen-Age Brides lasted seven issues between 1953 and 1954 and frankly, just based on this story, that was seven issues too long.






Saturday, April 22, 2017

Comic Comics #216: Funnyman

Jerry Siegel and Joe Shuster created an entire genre of comic book. They deserve every iota of respect one person can muster. They had created characters such as Dr. Occult, the Spectre, Slam Bradley, Radio Squad, and Superman. For $130, Siegel and Shuster sold their Superman character to National Periodical Publications (now DC Comics). Superman would end up making National, DC, and ultimately Warner Bros. billions of dollars over the next 80 years. Siegel and Shuster would barely get a fraction of that. In the late 1940s, they sued DC Comics over the rights to the character Superman. They immediately lost any and all work they normally got with the company. They went to work for Vin Sullivan's (their old editor) new Magazine Enterprises where they created Funnyman.

A Funnyman comic strip also ran in 1948 but DC Comics was upset with Siegel, Shuster, and Magazine Enterprises using the name Superman to sell their new comic book. That, along with nothing in their lives being particularly funny, brought about the demise of Funnyman in August 1948 and the Siegel/Shuster partnership in 1949.

Oh, good. I love Dick Van Dyke. Wait...that's not Dick Van Dyke. That's not Dick Van Dyke at all.

To be honest, I'd run away too if I saw pants that looked like that at that size.

How is it funnier? You could've died!!

June really looks like Lois Lane.

A superhero whose main superpowers are puns? That should give him more of rogue's gallery than Batman.

Yep, I think we will all be Funnyman's greatest villains after all these puns.

I once saw a movie that started out like this...

I'm sure these people are based on actual celebrities but I'm too lazy to look it up.

Also, I'm sure that Hankie Sonata is a life-sized version of that ventriloquist dummy from the Goosebumps books.

Ha! I love that we came in just as the joke ended so we don't get to read what's so damn funny.

I mean, I get it. Go after your stolen watch but as your superhero persona? Stolen watches are why we have cops.

Ah, it's a valuable family heirloom. Make a bit more sense, I guess. That watch has been in the Davis family since the days of the American Revolution.

I just realized that Funnyman's costume is just him in clown pants, an odd tweed jacket and vest, and a long, bright red nose. Somehow, that's a worse disguise than just a pair of glasses.

I don't care if the narration box says "soundlessly", the window is right there and Funnyman is making noise by either talking or whispering the entire time.

Why was the lit end of the cigar placed over the table and not over the ashtray?

"I just need a swift cover-up." *kicks criminal*

"Ow! I've been kicked!"

*criminals look under the table, sees Funnyman, shoots him full of holes*

What's going on?

They're still at it. Funnyman doesn't even need to do anything. They're going to defeat themselves.

Oh, good. Maybe now this story will start getting some action.

How'd they miss him? The door was behind the guy in the blue suit. See? Right there behind the guy in the blue suit.

He's got his watch. Who cares about the other crimes they've committed.

No, you should just kill him.

Yeah, punch him in the nose. That'll make him rethink his hero ways.

Should've made sure he couldn't bend over. From what I understand, dead people can't bend over.

"Fine consolation." I like my criminals to not only be tough but sensitive and good with words.

It shouldn't be this hard to kill a hero with the name Funnyman.

"I'm not taking any chances. I'm asking you to call the police because I'm not near a phone right now."

"I'll polish him off my way. The Gus Duncz way."

OH MY GOD! JUST KILL HIM!! KILL HIM!!!

I get the feeling this is turning into some sort of weird erotica now. Who knew Siegel and Shuster had it in them?

I call foul. I'm pretty sure you'd still be able to pull the trigger. Come on, fight through it, Gus.

The room is still pretty filled with gas tho...

Those were teenagers?!?

"No, no, that's fine," said June, "go ahead and drive my car down a 45 degree hill in order to block in a car speeding down the road."

What kind of organized mobster doesn't have a gun handy?

Really? It's still just about the watch?

The old shovel under the foot bit. Classic.

I love that the entire shovel flipped up and hit him.

I bet if June was tied to those railroad tracks, Funnyman wouldn't be as concerned.

It's clear he's going to use the rock to flip the board up and launch the watch into the air thus avoiding it being run over by the train. Quit dragging this out, narration box!

Called it.

What's a gink?

"Mind your own business and let us cops capture crooks, that's what we're paid for." About time someone said it. I mean, he is just a guy in polka-dot clown pants, after all.

Wait. I don't see a "The End" box. Do you see a "The End" box? WHERE'S THE "THE END" BOX??!!

I love that Funnyman has to go back to the alley where he originally changed his clothes. That's actually a nice and kind of humorous detail. You never see Superman go back to the phone booth where he changed from Clark Kent.

"What? I could've gotten myself killed? Brilliant! Come on, June, this will make a hilarious movie!"